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I still feel pretty uncomfortable on stage and donвЂ™t knpw how to react to an applause, but itвЂ™s great to see how people react to my music and to be able to talk with my fans in real life. My live shows are not my main goal, I rather spend my time in the studio. At one point there were people dancing directly behind me on stage, but I was so focused on playing I didnвЂ™t see them at all. I was so focused I didnвЂ™t know at what time I started and stopped. ItвЂ™s not that I was very nervous, but the moment I got on stage and started playing I forgot the world around me. I didnвЂ™t have any stage experience at all. The first, at Microwaves in The Hague (NL), was a crazy experience for me which I will never forget. I have been playing live since march, 2016 and have been very lucky to have played in many places in Europe so far. Once you keep making great music they will find you and post your music in the end.ДЄbout your live tour, can you tell us your best story? More dates soon? If you have a catalog of at least a few songs that are in equal quality of the shared song itвЂ™s much more likely they will follow you.ДЄlso, donвЂ™t worry about it too much that one вЂњdreamвЂќ channel or website doesnвЂ™t post your music. When they canвЂ™t find any information about you they will easily forget you. Once that platform shares your music people that are interested in you will try to find you.

My best advice for beginners in any scene is to have a solid catalog and social media pages BEFORE you send your music to any platform that can share your music. You can make a number 1 hit, but when nobody hears it you have nothing. I always tell people marketing is at least 50% of the work. Yeah, marketing is for sure very very important these days. What do you think about this, and what advice could you give to young composers?

Marketing is now as important the track itself if you really want to become famous. You said that вЂNew Retro WaveвЂ™ (the famous Youtube channel) helped you a lot to get noticed in the Synthwave scene. Sure FL Studio has some flaws, especially version 7, but IвЂ™ve learned to work around them.

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Why would I change to Cubase or Pro Tools? Because itвЂ™s more professional? I wouldnвЂ™t even know where to beginвЂ¦ People should focus on making music themselves and not focus on judging what others do. I can make music with FL Studio 7, which I know inside out. Some say itвЂ™s not a вЂњprofessionalвЂќ DAW, but to me thatвЂ™s nonsense.

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After some years of working with various software and hardware (Yamaha RM1x and Akai MPC) sequencers I got FL Studio 7, which I still use to date.

But I didnвЂ™t give up trying and in the end I I could make my own music. I didnвЂ™t have a musical background, so I had to do a lot of experimenting and re-creating songs. I started making music with Scream Tracker on MS-DOS when I was 12. Since then, did you have any musical training or are you a perfect self-taught musician? What do you think about FL haters? At the age of 12 you discovered electronic music and now youвЂ™re an expert of the вЂFruity LoopsвЂ™ software.

Timecop snes music